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mymodernmet:Cambridgeshire-based artist Chris Wood’s beautiful, geometric arrangements of colorful glass create dazzling reflections and projections of light.jruckman:  Anoka Faruqee’s moiré paintingscross-connect:Featured curator: Justin RuckmanKees Veenenbos uses NASA Mars Orbiter data and Terragen rendering software to create these very realistic-looking martian landscapes. His work has been used heavily by NASA, as well as featured in National Geographic and NOVA.cross-connect:Featured curator: Justin RuckmanTravess Smalley takes found vector graphics, prints them on assorted papers and transparencies, stacks and splices them together, and then digitally scans the finished product only to continue the remixing process even further in Photoshop. The result is Vector Weave, a series of large-format vinyl prints.jruckman:  The directional, geometric paintings of Palma Blankjruckman:  The stunning astronomical image processing work of Gordan Ugarkovicsocialclaustrophobia:Rogan Brown (French) / Clone (2012) Layered lasercut paper sculpture, 75 × 75 cm (limited edition of 10)vjeranski:  Lenore TawneyUntitled, ca. 1971India ink on paper 16 1⁄4 x 12 3⁄4cross-connect:Featured curator: Justin RuckmanKees Veenenbos uses NASA Mars Orbiter data and Terragen rendering software to create these very realistic-looking martian landscapes. His work has been used heavily by NASA, as well as featured in National Geographic and NOVA.cross-connect:Featured curator: Justin RuckmanTravess Smalley takes found vector graphics, prints them on assorted papers and transparencies, stacks and splices them together, and then digitally scans the finished product only to continue the remixing process even further in Photoshop. The result is Vector Weave, a series of large-format vinyl prints.
likeafieldmouse:Holger Lippmann - Perlin Scape 1 (2011)“The Perlin Scape 1 series is based on a perlin noise algorithm, which generates color map dependent line by line sequences of either ellipses or rectangles on a 2 dimensional surface.This software works with different keyboard input values to compose a rather painting-like image out of different color maps. These map arrays are called by random, noise and/or manual order.”cross-connect:Featured curator: Justin RuckmanTravess Smalley takes found vector graphics, prints them on assorted papers and transparencies, stacks and splices them together, and then digitally scans the finished product only to continue the remixing process even further in Photoshop. The result is Vector Weave, a series of large-format vinyl prints.cross-connect:Featured curator: Justin RuckmanKees Veenenbos uses NASA Mars Orbiter data and Terragen rendering software to create these very realistic-looking martian landscapes. His work has been used heavily by NASA, as well as featured in National Geographic and NOVA.alesf:  Perfect timing (by Larry Gaskill)jruckman:  The stunning astronomical image processing work of Gordan Ugarkovicseptagonstudios:Three Of The PossessedMIAMIlikeafieldmouse:Holger Lippmann - Perlin Scape 1 (2011)“The Perlin Scape 1 series is based on a perlin noise algorithm, which generates color map dependent line by line sequences of either ellipses or rectangles on a 2 dimensional surface.This software works with different keyboard input values to compose a rather painting-like image out of different color maps. These map arrays are called by random, noise and/or manual order.”jruckman:  Anoka Faruqee’s moiré paintingsjruckman:  The directional, geometric paintings of Palma Blank
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